


I have had a real passion for native Australian birds since I was a child. My dad also loves Aussie birds and grew up hand raising quite a few species. He passed that passion on to me.
When I painted Edwina, I had painted so many different species but had not painted an Emu yet. I set myself the challenge of doing it on a large scale to showcase their size and the magnificent colouring in their necks and eyes.
I of course named it after one of my favourite childhood books ‘Edwina the Emu’.
I am currently working on a large-scale painting of several Regent Honeyeaters. They are very beautiful birds and are unfortunately critically endangered.
From an early age my mum always gave piles of craft materials to keep me busy, and as I got older (10 years old) I ended up doing after school art classes. From memory my first, proper painting on a canvas was of a sunset scene.
I absolutely LOVE Del Kathryn Barton’s artworks, they are so colourful, quirky and detailed. I also a fellow local Swansea artist, Daniel Joyce. His artworks are truly incredible.
You can see more of my art on my website siarnstaleyart.com or on my Instagram page @siarnstaley.
Adriana talks about her prize winning piece, Electric Womb. She also delves into what inspired her to create Electric Womb, her favourite medium of art, what she is currently working and her favourite artists.

Art Prize winner 2020
There was no Hall & Wilcox art prize winner for 2020, due to COVID-19.
Liss talks about her prize winning piece, Island, which was inspired by her artist residency in Iceland. She also shares her thoughts on her preferred artistic medium, her favourite artists and what she’s currently working on.
Art Prize winner 2018 – Kirpy
Kirpy shares some of his thoughts about art, his inspiration and what he has coming up next.

Read about Kirpy
Melbourne-based stencil artist Kirpy creates highly detailed stencils of street scenes. His work ‘Night Lines’ was the winner of the 2018 Hall & Wilcox Art Prize. Here he shares some of his thoughts about art, his inspiration and what he has coming up next.
Tell us about your work Night Lines. What inspired you to make this piece?
I had wanted to trial a large-scale night scene for a while. I had some technical ideas about how I wanted to capture and create atmosphere through the colours and tones I used. The tram running down Brunswick Street in Fitzroy turned out to be a perfect subject.
You are described as a stencil artist. Can you explain what that means?
My practice involves the layering of hand-cut stencils to build up tonal levels. Each layer is painted with a certain tone, or opacity of spray paint, and, as the stencils are layered, the image is built.
What project are you working on now?
I have entered a portrait into the Archibald Prize [a portrait of Paralympic gold medallist and disability ambassador Dylan Alcott, which was selected as a finalist] and I have begun research for my next exhibition in September.
Where can we see more of your work?
You can see more of my work on Instagram @kirpy_ or on the Port Jackson Press website.
What is the earliest art work you remember creating?
I can’t quite remember the earliest. I always used to draw a lot as a child and then, as soon as I first got into stencils and spray paint, I used to spend my weekends in the shed painting. I definitely didn’t make anything good or memorable though!
Banksy: love him or hate him or just indifferent?
I think he’s had lots of great ideas, and his social and political commentary is always quite smart and well executed. But as soon as an artist enters the auction house art market and works are selling for millions of dollars, their work always gets convoluted and it’s hard to view their work separate from the price tag and the hype.
Sheldon discusses his winning piece and his work since in this video.